Solange – When I Get Home (Director’s Cut)

Mickalene Thomas in a self-portrait.Credit...Mickalene Thomas for The New York Times Supported by By Angela Flournoy To hear more audio stories from publications like The New York Times, download Audm ...

The drummer, D.J. and producer is everywhere and loved by everyone. But few understand what drives him: an obsession with spreading the joys of Black music.

As she makes her mark on The Cut as its new editor in chief, Lindsay Peoples Wagner has begun building out her team, adding two new hires: Jen Ortiz as deputy editor and Jessica Willis as style ...

He welcomes technical faults as a chance to get Craig back to his trailer ... He’s had conversations with producers and directors who expect their prospective leading men to suddenly acquire ...

With a cast of just three, and a handful of crew behind the scenes – including director ... she wouldn’t get back into Australia after many international flights were cut.

While still a student, he was identified as a promising talent by a stylist of Solange ... director since 2015, who has infused Gucci with a sumptuous vintage sensibility. “I rushed home ...

The creative directors invited one another into their ... may seem like they’re for maximalists only, but when they’re cut so cleanly, they have a wide appeal even for the print-averse minimalist.

Right now, though, Jen's more focused on her work and life at home than dating ... The man turned out to be Balenciaga's creative director, Demna Gvasalia, who Kanye introduced to Kim ...

Because let’s not get it twisted ... Xue was most recently the editorial director at Byrdie and Dahl was the executive editor of The Cut, New York Magazine’s fashion vertical.

See the extended director’s cut of Solange’s performance art film When I Get Home during this free premiere screening at LACMA’s Bing Theater.